TEDxTUHH

How exciting, my 3rd TEDx conference. Actually the 4th in Hamburg, but this time it was organized by students of the Technical University of Hamburg-Harburg rather than TEDxHamburg by red onion. Now TEDxTUHH on 10.11.12. [a pun is weak if you have to explain it, but this is 10-Nov-2012.] A good mix of almost 100 people listened to a good lineup of speakers and three TED videos. My personal highlights (just bullets, no numbers):

  • Manuela Maurer von Hundebande [gang of dogs] – female prisoners on Hahnöfersand train guide dogs. Manuela’s project is inspired by the German movie Underdogs, which is based on Puppies Behind Bars. Everything is deeply intertwingled.
  • Clemens Triebel from younicos – In his research lab in Berlin Adlershof he builds a complete green power supply for an island at scale 1:5. The magic trick is the largest battery in the world to guarantee a constant power level under all simulated weather conditions.
  • Ali Jelveh from protonet – talking about choice. You have to have a choice by all means because with out choice you are powerless, and depend on others and on the system. No surprise that Ali develops an alternative infrastructure to the internet. I was delighted to meet again with Seda and Ali after his talk at RSE10.
  • Very entertaining was Benjamin Zander’s TED talk The transformative power of classical music.

The crew around Nils Hackius did a splendid job. I am impressed by the professional setting, and yet –compared to TEDxHamburg in the Curio House– not too slick and with out stylish glamour.  Simple, effective, friendly – just a great show.

Last not least, a few impressions from TEDxTUHH. -enjoy.

Trust

I sense traffic of this blog w/o a present reason. Hmm. What about this,  brief musings about trust:

Each software, each website, each social platform, each community building effort is a matter of trust building. You make a social promise to continue the effort, and to care for the commitment of the users or community members.

It is easy to offer more to your community. On the other hand, it is quite difficult or impossible to take something away, or to close down or end the product or community without disappointing someone.

cheers,
Matthias

Wim Wenders Bootleg



Eigentlich schleicht man sich ja mit einem  Tonbandgerät in Konzerte, um diese heimlich mitzuschneiden. Zumindest war das der Plot von Diva. 30 Jahre nach Diva hatte ich nun das Vergnügen eine Veranstaltung mit Wim Wenders zu erleben, der über seine zweite Profession – das Photographieren – philosophierte.
Mit freundlicher Genehmigung von wendersimages und der Deichtorhallen Hamburg veröffentliche ich die Aufzeichnung vom 30. Mai 2012 nun im uxHH Radio.

– enjoy

Ted Nelson: Computers for Cynics

Two Five Seven Eight new Ted Nelson videos are up: Computers for Cynics

#0 The Myth of Technology

#1 The Nightmare of Files and Directories

#2 It All Went Wrong at Xerox PARC

#3 Database

#4 The Dance of Apple and Microsoft

#5 HyperHistory

#6 The Real Story of the World Wide Web

#N Closure: Pay Attentions to the Man Behind the Curtain

More Ted Nelson

cyborg anthropology

I missed Amber Case’ presentation at Interaction 12 on Solid to Liquid to Air: Interaction Design and the Future of the Interface. But here it is, the webcast_

“Amber Case is a cyborg anthropologist and user experience designer who focuses on mobile software, augmented reality and data visualization, and reducing the amount of time and space it takes for people to connect. Case has been featured in Forbes, WIRED and Time, and also founded Geoloqi.com, a private location sharing application, out of a frustration with existing social protocols around text messaging and wayfinding.

Case has spoken at conferences all around the world including TED and was featured in Fast Company 2010 as one of the Most Influential Women in Technology.”

Other IxD12 highlights

Interaction 12 – Critique

I’ve summarized my highlights of Interaction 12 already on this blog: Day 1 / Day 2 / Day 3

And there are many more, hidden between the tracks. It is an open secret that the interesting stuff happens in the breaks. Meet and greet with long-time-not-seen’s, meeting virtual friends for the first time in RL, and getting in touch with other interaction designers around the world. To that extend, IxD12 was very good.

But I want to bring some light to the dark corners as well. The opening party took place at the Trinity College in the center of Dublin. A wonderful location. I’ve never been so close to the Book of Kells, but this is another story. – What do you expect from a welcome party? To be welcomed. To say Hello to friends. To talk about the first day of workshops. etc. But you I do not expect a long series of presentations on the first evening already. This was an unfortunate attempt to pick up speed and get us me into the mood for the upcoming three days. Have just a party, or do a Pecha Kuchawhen the audience is I am open to pay attention. All of the presenters would have deserved a better setting.

My second point of crit concerns the main three days of the event: It was a professional conference. Hugh? Yes, for my taste it was too slick. After all those years we are still a young profession. And that could have been better represented with a little more spontaneity, or unconference feeling. For some time I want to write about the idea of a conference experience. You can design conferences much like you can do with tools and software. Just imagine that your app runs for three days (in fact it runs much longer if you include the pre- and post-conference activities, and the twitter stream is still active with all the redux events) and that you have 700 simultaneous users. Live. It is much more like theater or circus.
Then, why do you let the Conference Center choose the music between the talks? Why do you not have some interactive game or art installations during the breaks? Why don’t you encourage (more) Q&A? The audience felt rather tired or uninspired to me. No debates at all. Hey, we do not meet that often. What was going on? Where is the energy in our field?

I should mention –my third point– that I gave up during the 10 minutes short talk sessions. I understand the idea that you want to give as much air time to as many presenters as possible. But the pulsing of 10 minutes talk – 5 minutes nothing or switching between sessions – 10 minutes high – 5 minutes low – etc. was not in synch with my bio-rhythm of attention. Now I would have appreciated the fast paced short talks from the opening party, w/o the 5 minutes breaks of course.

Dear Organizers,
please take my opinion as constructive feedback. I’ve been in your role a few times before. You’ve done a tremendous job to get all this together. But maybe future or other conferences can benefit from my impressions.

cheers, and memorizing the highlights of IxD12 once again.

One Year Oracle SocialChat – The Movie

One Year Oracle SocialChat from mprove on Vimeo.

You’ve just watched – hopefully – my first short movie. Thank you! Here is a bit of the back stage story.

About 6 weeks ago colleagues from SNBC (Social Network and Business Collaboration) announced a Social Use Case Competition. It was expected to submit a video of 2 to 5 minutes duration on the Social Enterprise (our internal phrase for Enterprise 2.0). Hmm – I had a few vague ideas, but no script – no actors – no experience in film making. Really the best conditions to try something!

I chose our weekly SocialChats as my main topic. But if you don’t do Danish Dogma cinema, you still need a script. Hence I played around with the SocialChat’s archive, and all of a sudden a script and even the actors appeared in front of me. The words that you have just seen are weekly topics. Slightly abridged and rearranged to form a story.

Exciting, next phase. How to get it on digital celluloid? I have to confess I am still impressed by epic. (Keep in mind, epic was done in 2004.) And my actors – words – call for a typographic style already. The main part was done over a weekend with Apple Keynote. And I even found a wonderful matching soundtrack among my albums: Didge Goes World by Delago. I picked parts of Second Day and Seventh Day. Literally, the rhythm was set, and I “just” had to complete the movie. Tools used – apart from trial and error: Keynote, Pixelmator, GarageBand, iMovie.

Finally I want to mention that I am extremely thankful to BSC Music for granting permissions to use the tracks for this short film! Without this sound it would have been just an ordinary slide show.